Traditional Chinese Gongbi Portrait Painting

Create a vertical traditional Chinese Gongbi heavy color painting of a lady, with a 4:5 aspect ratio. 
The subject is a young {argument name="subject" default="Han Chinese lady"}, shown in full, standing three-quarters profile near {argument name="setting" default="a quiet classical garden gallery"}; her posture is dignified and slender, head slightly bowed, right hand gently holding {argument name="prop" default="a branch of budding crabapple"}, and left hand subtly tucked within her long sleeve, with a quiet, gentle, and restrained expression. Light eyebrows, a small straight nose, and vermilion cherry lips, with skin tone represented in the fair and rosy manner of traditional lady paintings. Jet-black long hair is styled in an elegant ancient Chinese bun, adorned with gilded flower pins, pearl tassels, and jade hairpins; each piece of jewelry is clearly structured with precise patterns, magnificent but not cluttered. 
The lady wears layered Hanfu: a stone-blue cross-collar upper garment, an ochre-red high-waisted long skirt, and an ivory-white shawl; the collar, cuffs, and skirt are densely covered with lotus vines, flower-and-bird sprays, and Ruyi cloud patterns, outlined with fine gold thread. The silk folds are smooth, the brocade patterns complex and clear, and the ribbons and shawl form a gentle S-shape rhythm. The background includes Taihu rocks, emerald green plantains, blooming peonies, scattered petals, vermilion railings, and a hazy moon gate in the distance, using well-spaced garden scenery to complement the figure without being overwhelming. 
Adopt orthodox Chinese Gongbi techniques: use fine, even, and elastic iron-wire and gossamer strokes to precisely outline the face, hair, fingers, clothing folds, flowers, leaves, and jewelry; multiple layers of staining, covering, flat coating, and re-outlining result in thick yet clear color layers. Predominantly use stone blue, stone green, cinnabar, ochre, rouge, clam powder, and liquid gold, with some local gold-pasting; the balance of green, red, ivory white, and soft gold creates an elegant, quiet, and noble color scheme, saturated but not glaring. The cooked silk base is warm and slightly aged, retaining fine silk texture and hand-painted traces. Soft and even scattered light, weak shading, clear outlines, maintaining the flatness, decorativeness, and subtle sense of space of traditional painting. 
The composition is like a complete ancient vertical scroll lady painting, with the figure occupying about two-thirds of the height, a clear visual center, restrained white space, and an elegant correspondence between the figure, flowers, and architecture. Facial features, hands, and fingers must be natural and complete, clothing layers clear, line work precise and stable, and tiny patterns still recognizable. 
The overall work must present authentic hand-painted Gongbi and classical silk texture; no photographic realism, no modern fashion, no anime faces, no thick oil impasto, no watercolor washes, no 3D or plastic texture, no strong cinematic light, no exaggerated depth of field, and no text, inscriptions, watermarks, or identifiable seals.

创作一幅竖幅中国传统工笔重彩仕女画，画面比例 4:5。
主体是一位年轻的{argument name="主体" default="汉族仕女"}，全身入画，三分之二侧身立于{argument name="背景环境" default="幽静的古典园林曲廊旁"}；身姿端庄修长，微微垂首，右手轻拈{argument name="道具" default="一枝含苞海棠"}，左手含蓄地收于长袖之间，神情娴静、温柔而克制。淡远蛾眉、小巧直鼻和朱红樱唇，肤色以传统仕女画的白皙粉润方式表现。乌黑长发挽成高雅的古代中式发髻，插鎏金花簪、珍珠步摇与翠玉钗；每件首饰结构清楚、纹样精密，华美但不杂乱。
仕女身着层叠汉服：石青色交领上襦、赭红高腰长裙、象牙白披帛；领缘、袖口与裙幅密布缠枝莲、折枝花鸟、如意云纹，使用细金线勾边。丝绸褶皱流畅，织锦纹样繁复而清晰，衣带与披帛形成舒缓的 S 形节奏。背景包含太湖石、碧绿芭蕉、盛放牡丹、零落花瓣、朱漆栏杆和远处朦胧的月洞门，以疏密有致的园林景物衬托人物，不喧宾夺主。
采用正统中国工笔重彩技法：以细劲、均匀、富有弹性的铁线描与游丝描精确勾勒面部、发丝、手指、衣纹、花叶和首饰；多层分染、罩染、平涂、复勾，色层厚实而清澈。以石青、石绿、朱砂、赭石、胭脂、蛤粉和泥金为主，少量局部沥粉贴金；青绿、朱红、象牙白与柔金相互平衡，色彩典雅、沉静、华贵，饱和而不刺眼。熟绢底色温润微旧，保留细腻绢本纹理与手工绘制痕迹。柔和均匀的散射光，弱明暗塑造，轮廓清晰，保持传统绘画的平面性、装饰性与含蓄空间感。
构图如完整的古代立轴仕女图，人物约占画面高度的三分之二，视觉中心明确，留白克制，人物、花木和建筑形成雅致呼应。要求五官、双手与手指自然完整，衣饰层次清楚，线描精确稳定，微小纹样仍可辨认。
整体必须呈现真正的手绘工笔重彩与古典绢本质感；不要摄影写实，不要现代时装，不要动漫脸，不要油画厚涂，不要水彩晕染，不要 3D 或塑料质感，不要强烈电影光，不要夸张景深，不要文字、题款、水印或可辨识印章。