Forbidden City Papercut Art

9:16 vertical version, modern oriental female dreamland 3D paper cutting art, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, poetic female dreamscape, contemporary oriental art poster. The theme of the work is "{argument name="theme" default="She is waiting for a spring snow on the roof of the Forbidden City"}". The core narrative of the picture is: a young oriental woman stands between the high platforms of the layered paper-carved palaces. The distant Forbidden City-style gates, vermilion walls, long steps and overlapping ridges seem to be slowly opened by time. The paper snow of late winter and early spring falls quietly from a height. She looks into the distance at the moment when the snow is about to fall. Between the grand palace order and the quiet sky, she sees the quietest and clearest part of her heart again. The main character is an oriental adult female with a visual age of about {argument name="visual age" default="24"} years old. She is quiet, clear, gentle and restrained, with a sense of classical and time precipitation. The character has a soft oval face, clear almond eyes, and her eyes quietly look at the distant palace, with a peaceful and thoughtful expression. The face is shaped by exquisite oriental paper art illustration, and the features are clear and natural, not a real photographic texture, nor overly cartoonish. The character's hairstyle is long black hair tied low, and the ends of the hair extend several long and light paper art ribbons, which float behind her under the influence of the high breeze. She wears small light gold plum branches and snowflake hair ornaments, which are exquisite and light, not high or complicated. The character's clothing is a {argument name="clothing colors" default="cinnabar red and ivory white"} multi-layer paper art long skirt. Cinnabar red is used for the main inner skirt, and ivory white is used for the outer long silk, sleeve edges and hollowed-out clothing pieces. The hem and the inside of the silk are carved with cornices, ridges, snowflakes, cloud patterns and fine oriental flower branch patterns, with ancient gold paper foil outlining in some parts. The clothing has clear paper thickness, layered structure, slight creases, real fiber texture, fine manual cutting edges and high-density hollowed-out decoration. The long silk is expanded behind the character by the wind, forming an elegant and obvious flowing line. The dream carrier is layered paper art palace gates and palace walls. Dream imagery includes: palace gates, cornices, paper snow, ridges, distant halls, and long steps. All palace walls, roofs, gate towers, stone fences, snowflakes, figures and decorations must uniformly adopt a high-completion 3D paper carving language. Don't make the figures realistic while the buildings are just ordinary backgrounds. The overall paper-cutting structure adopts a multi-layer stage style. The composition progresses from the foreground to the distant view through layers of huge paper art palace gates, palace walls, ridges, long steps and distant halls, forming a very clear vertical palace order. The close-up view is formed by a huge hollowed-out palace gate or paper-carved doorway as a natural frame. The edge of the door frame has layers of ivory white paper pieces, ancient gold outlines, snowflakes, plum branches and fine oriental patterns. Some close-up palace gates and eaves can be cut by the edge of the frame to enhance the sense of architectural scale and the realistic space of entering the palace. The figure is located in the lower or lower-middle part of the picture, significantly smaller than the entire palace space, standing inside a high platform, stone fence or palace gate, with her body facing the distant palace. The character maintains a quiet standing or very slight slow walking posture, no posing, no looking at the camera, and her gaze naturally crosses the layers of palace gates to look at the distant main hall. In the distance is a group of paper-carved palaces with clear Forbidden City royal architectural features: vermilion palace walls, layered palace gates, double-eaved halls, white high platforms, continuous stone steps, golden ridges and a complete central axis order. The main hall in the distance is located in the upper center or slightly above the picture, which is grand in scale but does not take away the relationship between the figure and the overall space alone. The building must have a far-reaching order of layers of rising, doors within doors, and halls behind halls, so that the viewer clearly feels that the palace city is not completely contained in the picture. The overall color scheme is cinnabar red, palace wall warm red, ivory white, and ancient gold, with a small amount of snow blue as embellishment. Cinnabar red and warm red are used for palace walls, door columns and character skirts; ivory white is used for snow layers, stone fences, door frames, silk and a large number of paper carving highlights; ancient gold is used for ridges, door decorations, cut edges and local paper foil; snow blue is only used for distant skies, shadows and air layers. The colors are bright but advanced and restrained, not overall reddish, no uniform warm yellow filter, keeping the brightness and transparency of the paper carving world. The light uses bright natural sky light with a mix of cold and warm in late winter and early spring. Warm white sunlight shines diagonally from one side of the screen or from a distance on the palace walls and ridges, making the cinnabar red palace walls, ivory white snow layers and ancient gold edges form soft and bright layers; cold white sky light fills the shadows, making the dark parts maintain the paper texture and not press black. The distant sky light is slightly brighter, forming a clear atmospheric depth. Paper snow falls slowly from the sky and palaces, and the snowflakes are presented as fine hollowed-out paper pieces, the size of which decreases gradually with the space. Some snowflakes form a foreground layer near the lens, and some fall on the ridges, gate towers and railings. The amount of snow is moderate, and it should not block the main body of the building, nor should it form a blizzard. Strengthen paper art details: palace gate edges, eaves, bucket arches, stone fences, ridges, plum branches and snowflakes all have obvious paper thickness, manual cutting edges, fiber texture and soft inter-layer projections. Different architectural layers form a clear front-back relationship, and the distant details gradually decrease, but the outlines remain clear. The overall picture has a high-completion modern oriental paper carving art, royal palace dream stage, advanced art installation and movie poster feeling. The focus is not an ordinary "Forbidden City snow scene", but to make the Forbidden City-style royal architecture a huge paper art world slowly opened by time. The character is just a quiet and tiny emotional anchor. The overall mood is: quiet, restrained, clear, time-frozen, spring snow approaching, the old year not yet ended and the new spring about to wake up. The picture should have poetic and historical charm, while maintaining brightness, transparency and exquisiteness. Additional requirements: The Forbidden City should be large in scale, and the character should be small, strengthening the sense of order and history of the layers of the palace; don't make it into a common travel illustration, and don't lay out a full panoramic view of the palace; the close, medium and long views must have obvious occlusion and space progression, and the paper carving details should be exquisite and rich.

9:16竖版，现代东方女性梦境立体剪纸艺术，modern oriental papercut art，layered paper cut illustration，dimensional paper sculpture，intricate paper carving，paper diorama，layered shadow box，poetic female dreamscape，contemporary oriental art poster。作品主题为“{argument name="主题" default="她在故宫屋脊上等一场春雪"}”。画面核心叙事为：一位年轻东方女性站在层层展开的纸雕宫阙高台之间，远处故宫式宫门、朱墙、长阶与重重屋脊像被时间缓缓翻开。冬末春初的纸雪从高处安静飘落，她在雪将落未落的片刻望向远方，在宏大的宫阙秩序与静谧天光之间，重新看见自己内心最安静、最清醒的部分。主体人物为视觉年龄约{argument name="视觉年龄" default="24"}岁的东方成年女性，安静清醒、温柔克制，带一点古典与时间沉淀感。人物拥有柔和鹅蛋脸，清亮杏眼，目光安静地望向远处宫阙，神情平和而若有所思。面部采用精致东方纸艺插画式塑形，五官清晰自然，不是真人摄影质感，也不过度卡通化。人物发型为黑色长发低挽，发尾延展出数道细长轻盈的纸艺丝带，受到高处微风影响向身后飘动。佩戴小型浅金梅枝与雪片发饰，头饰精致轻盈，不高耸、不繁复。人物服装为{argument name="服装颜色" default="朱砂红与象牙白"}多层纸艺长裙。朱砂红作为主体内层裙装，象牙白用于外层长披帛、袖缘与镂空衣片，裙摆与披帛内部镂刻飞檐、屋脊、雪花、云纹和细密东方花枝纹样，局部加入古金纸箔描边。服装具有清晰的纸张厚度、层叠结构、轻微折痕、真实纤维纹理、精细手工裁切边缘和高密度镂空装饰。长披帛被风向人物身后展开，形成优雅而明显的流动线条。梦境载体为层叠纸艺宫门与宫墙。梦境意象包括：宫门、飞檐、纸雪、屋脊、远殿、长阶。所有宫墙、屋顶、门楼、石栏、雪片、人物与装饰必须统一采用高完成度的立体纸雕语言，不要人物写实而建筑只是普通背景。整体剪纸结构采用多层舞台式。构图从近景到远景由层层相套的巨大纸艺宫门、宫墙、屋脊、长阶和远殿不断递进，形成非常清晰的纵向宫阙秩序。近景由一座巨大镂空宫门或纸雕门洞形成天然框景，门框边缘带有层层象牙白纸片、古金描边、雪花、梅枝 and 细密东方纹样。部分近景宫门和屋檐可以被画面边缘裁切，以增强建筑尺度感和进入宫阙内部的真实空间感。人物位于画面下半部或中下部偏侧位置，相对于整个宫阙空间明显偏小，站在高台、石栏或宫门内侧，身体侧对远方宫殿。人物保持安静静立或极轻微缓步姿态，不摆拍、不看镜头，视线自然越过层层宫门望向远处主殿。远处是一组具有明确故宫皇家建筑特征的纸雕宫阙：朱红宫墙、层层宫门、重檐殿宇、白色高台、连续石阶、金色屋脊与完整中轴秩序。远景主殿位于画面上方中央或略偏上位置，规模宏大，但不单独抢走人物与整体空间关系。建筑必须具有层层抬升、门中见门、殿后还有殿的深远秩序，让观者明显感受到宫城并未被完整收入画面。整体色彩方案为朱砂红、宫墙暖红、象牙白、古金为主，少量雪青点缀。朱砂红与暖红用于宫墙、门柱和人物裙装；象牙白用于雪层、石栏、门框、披帛和大量纸雕高光；古金用于屋脊、门饰、裁切边缘与局部纸箔；雪青仅用于远景天空、阴影和空气层次。颜色鲜明但高级克制，不要整体偏红，不要统一暖黄滤镜，保持纸雕世界的明亮清透感。光线采用冬末春初冷暖交融的明亮自然天光。暖白阳光从画面一侧或远处斜照宫墙与屋脊，使朱红宫墙、象牙白雪层和古金边缘形成柔和明亮的层次；冷白天空光填充阴影，使暗部保持纸张纹理，不压黑。远景天光略亮，形成清晰的大气纵深。纸雪从天空和宫阙之间缓慢飘落，雪花以精细镂空纸片呈现，大小随空间逐渐递减。部分雪花靠近镜头形成前景层，部分落在屋脊、门楼和栏杆上。雪量适中，不能遮挡建筑主体，也不要形成暴雪。强化纸艺细节：宫门边缘、屋檐、斗拱、石栏、屋脊、梅枝与雪花都具有明显纸张厚度、手工裁切边缘、纤维纹理和层间柔和投影。不同建筑层之间形成清晰前后关系，远处细节逐渐递减，但轮廓保持明确。画面整体具有高完成度现代东方纸雕艺术、皇家宫阙梦境舞台、高级艺术装置与电影海报感。重点不是普通“故宫雪景”，而是让故宫式皇家建筑成为一个被时间缓缓展开的巨大纸艺世界。人物只是其中一个安静而微小的情绪锚点。整体情绪为：安静、克制、清醒、时间停驻、春雪将至、旧岁未尽而新春将醒。画面要有诗意与历史余韵，同时保持明亮、通透、精致。补充要求：故宫尺度要大，人物要小，强化宫阙层层展开的秩序感与历史感；不要做成普通旅游插画，不要平铺宫殿大全景；近中远景必须有明显遮挡和空间递进，纸雕细节精致丰富。