Gatsby Style Art Deco Wedding Photos

Based on the clear lifestyle photos of two adults uploaded by the user, generate a high-budget wedding portrait in 'Gatsby Style / 1920s Art Deco Style'. Strictly preserve the real identity characteristics of the two people, including face shape, facial proportions, eyes, nose, lips, skin tone, sense of age, hairline, hairstyle foundation, and overall temperament. The generated result must clearly look like the same real couple/newlyweds and must not become strangers, overly Westernized, like internet celebrities, or have obvious AI fake faces. Use the uploaded photos only as identity references; do not retain the background, clothing, posture, light, or scene from the original lifestyle photos. Please generate a brand-new wedding masterpiece. The overall style is not a regular luxury wedding photo but rather: 1920s Gatsby bridal editorial, Art Deco luxury vintage wedding masterpiece, cinematic set, magazine-level finish, indoor scene with Gothic arched windows, old Hollywood glamour, mysterious, noble, dramatic, exquisite, and with a sense of ultra-high budget. The overall look should be like a high-concept project from a top wedding studio rather than a common photo studio style. Please reconstruct the scene style around the reference: tall European/Gothic arches and arched windows, strong window light, classical wooden tables and chairs, vintage candlesticks, books, light gauze, local smoke, crystal chandeliers, a few antique decorations, and dark wood floors. The space should have a sense of depth and stage presence but not turn into an overly complex palace or modern mansion. The scene is exquisite, restrained, and unified. Bridal styling is key: please explicitly create a 1920s Gatsby bride look. The wedding dress should be a high-end sequined slim-fit gown in champagne gold, silver-gold, or pearl champagne, with dense beadwork, beaded texture, a slender mermaid or straight silhouette, paired with dramatic gauze curtains, light gauze trails, exaggerated organza sleeves, or layered sleeves. Jewelry includes pearl necklaces, dangling earrings, forehead ornaments/vintage headpieces/feather headpieces/jeweled headbands, etc., overall exquisite and expensive. If the user originally has long hair, please do not directly keep the modern loose long hair effect. Please create a vintage look closer to the 1920s while maintaining the person's identity: faux bob, pinned bob / tucked long hair, finger waves, sculpted side-parted waves, low-set or curled updos, visually compressing the length into a 1920s short hair silhouette, and using vintage forehead ornaments, feathers, and jeweled hair accessories to enhance the Gatsby feel. If the user has short hair, it should also be made into a clearer 1920s finger wave/bob texture. Do not show modern daily long curly hair or common long hair. Groom styling: black, deep charcoal black, or midnight blue high-end suit/tuxedo, white shirt, black bow tie or formal bow tie, restrained and high-end brooch details. Overall tall, steady, and noble, with old money and old Hollywood leading man temperament. Light and shadow are the core of the entire set; please strictly refer to the example images: the main light source must be strong backlighting or side-backlighting from arched windows, forming visible light beams, rim light, and dramatic light-dark contrast; auxiliary light comes from candlelight and ambient warm light, serving only as local supplements; there can be a small amount of haze/smoke to make the light more layered. The overall lighting should be cinematic high-contrast lighting; avoid uniform flat light, ordinary mansion soft light, or strange washed-out highlights. Some shots allow for slight, controllable lens flare, but it must be reasonable, restrained, and from real strong light, not random glare. Please enhance the realistic photography texture: real skin texture, appropriately softened but not plastic; real weight of the gown, gauze texture, jewelry reflection, and candlelight details; avoid a 3D rendering feel, excessive sharpening, fake CG feel, or game modeling feel. The overall result should look like wedding photos taken in a real studio with physical sets. Please pay special attention to the natural and realistic proportions of the characters' faces and bodies. Both people must maintain real adult proportions, and the head size, shoulder width, neck length, arm length, palm size, physical contact, and perspective relationships must be naturally coordinated. Avoid issues like oversized faces, small heads, long necks, distorted bodies, incorrect fingers, limb fusion, a sense of stitching, or clipping. Please especially strengthen the sense of interaction and relationship between the two people; don't just stand together. There must be a clear emotional flow between the two: attraction, attachment, guardianship, tacit understanding, dramatic romance, and a bit of vow and destiny. This can be expressed through hugging from behind, facing each other with pauses, interaction by the table, approaching under the gauze, staggered looking, lightly supporting the waist or back, hand-over-hand, etc. Don't have them standing side-by-side looking at the camera in every shot. Please avoid repetition throughout the set: include full-body, half-body, close-up, and extreme close-up shots; include both solo and couple shots; include front, semi-profile, profile, and staggered angles; include quiet gazing, close-range pauses, interactions, and story scenes; don't let every shot look like a variation of a template. Negative constraints: no common mansion wedding style, no modern influencer wedding photos, no uniform flat lighting, no modern loose long curly hair, no common princess dresses, no cheap photo studio feel, no plastic skin, no characters looking like AI-synthesized stitching, no strange glare, no messy background. 8 Shot Prompts: 01 | Gauze Opening, Full Body Main Visual: Shoot a full-body main visual wedding masterpiece of the bride. The bride stands between tall arches and arched windows, with strong window light behind her, forming a sacred and dramatic backlight. A large amount of transparent light gauze sweeps by from the foreground and sides, like being gently lifted by the wind, wrapping the bride in semi-transparent light and shadow layers. The bride wears a champagne gold densely sequined high-end slim-fit wedding dress with a slender silhouette, the trail and gauze falling naturally, one hand raised to touch the gauze, the other naturally down. Emphasis: The bride must have a clear 1920s Gatsby bride styling. Even if the user has long hair, create a vintage short hair silhouette through faux bob/finger waves/pinned bob, paired with jeweled forehead ornaments, dangling earrings, and pearl necklaces. Emotion: Noble, calm, confident, like a leading lady stepping out of an old-era ball. Eyes looking lightly at or slightly past the camera, no common sweet smile. Lighting: Strong backlighting, light smoke, gauze transparency, clear light and dark layers, very strong cinematic feel. 02 | Groom Hugging from Behind, Bride in Front, Main Relationship Image: Shoot a double half-body to 3/4 body wedding masterpiece. The bride stands in front, and the groom embraces her from behind, hands naturally resting near her waist or arms, the bride's hands lightly placed on her chest or covering the groom's hands. The bride looks at the camera with a calm, expensive, and determined gaze, as the center of the story; the groom looks down at the bride with a gentle, focused, and strong sense of guardianship. Emphasis: There must be interactive tension between the two, not just standing together. The groom's presence should be like protecting and surrounding her, while the bride's state is one of being cherished and gazed upon. Physical contact must be natural, and proportions must be real. Styling and Lighting: The bride still has clear Gatsby headwear and a vintage hairstyle, with clear sequin details on the dress; the groom is in a black high-end tuxedo. Warm window backlight comes from behind, a small reasonable lens flare can be on the right, with candlelight and ambient warm light as local supplements. The overall look is more like a movie still than a common studio photo. 03 | Side View Facing Each Other, Paused at the Most Tense Second: Shoot a wedding photo of the couple facing each other from a side view. The bride and groom stand facing each other, very close, staying in the moment just before getting closer, but not actually kissing. The bride's profile is exquisite, with clear shoulder and back lines; the groom looks down at her with a calm and focused gaze. There is a strong but restrained attraction between the two, like a second before a vow. Emphasis: No smiling, no standing side-by-side. The focus is on the tension in the quiet gaze. There must be communication in their eyes, not empty or stiff. Lighting: The background is darker, with cold rim backlighting or blue-gray smoke behind the arch, outlining the characters; foreground tables, chairs, or candlesticks can slightly enter the frame. The overall style is more cinematic, low-saturation, and high-contrast. 04 | Bride Sitting at the Table, Solo Main Image: Shoot a solo sitting masterpiece of the bride. The bride sits by a vintage dark long table, with a tall arched window behind her, and candlesticks, thick books, glassware, a small amount of jewelry accessories, and light gauze on the table. The bride wears a champagne gold sequined slim-fit wedding dress, with exaggerated organza sleeves stacked around her arms and a slender skirt line. She sits slightly sideways, one hand naturally supporting the table, the other lightly on her knee or holding a vintage ornament, head slightly raised, eyes calm, noble, and slightly commanding. Emphasis: The bride still needs a 1920s vintage hairstyle, no modern long hair. The whole image should look like a hero shot in a high-budget wedding magazine. Lighting: Arched window backlight + warm candlelight supplement + local smoke. The image should have dark areas, no flat lighting. Table scenes and dress textures must be very exquisite. 05 | Bride in Foreground, Groom Watching in Background, Staggered Narrative: Shoot a double-person staggered composition wedding masterpiece. The bride sits or leans by the table as the main visual focus. She lowers her head slightly or looks into the distance, with a quiet, thoughtful emotion, as if entering an emotional pause before the wedding. The groom stands near the arched window in the background, slightly blurred or weakened, but still clearly identifiable, as if quietly watching over her. The two do not look at each other directly, but there is a clear spatial relationship and emotional connection. Emphasis: Don't make it a common double photo. This image should have a sense of plot, the bride is the visual center, and the groom exists as a silent and deep presence. Foreground and background layers must be clear. Lighting: Main light falls on the bride, with window light behind outlining the groom. Candlesticks, books, gauze, and table details should be rich but not cluttered. Overall quiet, introverted, and cinematic. 06 | Close-up of Bride's Jewelry: Shoot a cinematic close-up of the bride. The lens focuses on the bride's semi-profile, neck, vintage forehead ornament, earrings, and exquisite vintage accessories in her hand, such as metal decorations, jewelry masks, or classical small items. The bride turns her head slightly, in a semi-profile or looking-back angle, with a quiet and deep gaze, complete lip makeup, and a mature, noble look. Candles in the background are blurred into soft warm light spots. Emphasis: This shot must strongly emphasize Gatsby-style details. The headwear, finger waves/faux bob, pearl necklace, and earrings must be clear and believable. The face should not have a heavy AI feel, and the skin should not be plastic. It should look like a high-budget close-up shot for real, not a CG detail image. Lighting: Warm candlelight forms local highlights from the side and back, with soft but directional light on the face, shallow depth of field, overall very cinematic. 07 | Interaction at the Table, Sense of Ritual on the Eve of the Wedding: Shoot a double-person scene interaction wedding photo. The bride stands or leans on one side of a vintage long table, looking down to organize papers, quill pens, jewelry, or small wedding items on the table; the groom stands on the opposite side or the side of the table, gently participating in this interaction, such as handing her a small item, helping her light a candle, or quietly watching her. The two are in the same scene with very natural interaction, not a standard standing position photo. Emphasis: This image should have the atmosphere of the 'night before the wedding ceremony.' The interaction between the two must be natural, like a captured fragment from a movie. The bride is still the visual focus, and the groom exists as companionship and guardianship. Lighting: Window light is dominant, candlelight is local atmospheric light, and the table and prop details are clear. Overall, there is a sense of classical ritual and narrative. 08 | Intimate Closing Image Under the Veil: Shoot a double-person closing wedding masterpiece. The bride and groom stand by the table or arched window, with a long veil or light gauze hanging from above their heads, wrapping them in the same semi-transparent space. The groom's hand lightly supports the bride's waist or back, and the bride's hand rests on the groom's chest. Their foreheads are close, or the groom gently leans close to the bride's forehead, staying in the moment with the most emotional tension, not actually kissing. The bride looks at the groom or lowers her eyes, and the groom looks at her lightly or closes his eyes slightly; the overall feel is extremely intimate but restrained. Emphasis: This is not a 'kissing photo' but a 'pause before the vows.' There must be a strong interaction and sense of relationship between the two. The gauze in the foreground, candlelight, and table details must all serve this emotion. Lighting: Overall dark, window backlight and candlelight together shape the scene, the gauze shines semi-transparently in the light, and the image is sacred, noble, and dramatic, like the closing shot of the entire set.

请基于用户上传的两位成年人清晰生活照，生成一张「Gatsby 风格 / 1920s Art Deco 风格」的超高预算婚纱写真。请严格保留两个人的真实身份特征，包括脸型、五官比例、眼睛、鼻子、嘴唇、肤色、年龄感、发际线、发型基础和整体气质。生成结果必须清楚看起来是同一对真实情侣 / 新人，不能变成陌生人，不能欧美化过度，不能网红化，不能出现明显 AI 假脸。请只把上传照片作为人物身份参考，不要保留原始生活照里的背景、服装、姿势、光线和场景。请重新生成一张全新的婚纱大片。整体风格不是普通豪华婚纱照，而是：1920s Gatsby bridal editorial，Art Deco 奢华复古婚纱大片，电影级布景，杂志级成片，带哥特拱窗室内场景、old Hollywood glamour、神秘、贵气、戏剧化、精致、超高预算感。整体像顶级婚纱工作室的高概念企划，而不是普通影楼风。场景风格请围绕参考图重建：高挑的欧式 / 哥特式拱门与拱窗，强烈窗光，古典木桌椅，复古烛台，书本，轻纱，局部烟雾，水晶吊灯，少量 antique 装饰，深色木地板。空间要有纵深感和舞台感，但不要变成过度复杂的宫殿或现代豪宅。场景精致、克制、统一。新娘造型是关键：请明确做成 1920s Gatsby bride 造型。婚纱为香槟金、银金色或珍珠香槟色的高定亮片修身礼服，细密珠饰、beaded texture、修长鱼尾或直线条廓形，搭配戏剧性纱幔、轻纱拖尾、夸张欧根纱袖或层叠袖。珠宝包括珍珠项链、垂坠耳环、额饰 / 复古头饰 / feather headpiece / jeweled headband 等，整体精致昂贵。如果用户原本是长发，请不要直接保留现代长发披散效果。请在保留本人辨识度的前提下，做成更接近 1920s 的复古造型：- faux bob 假波波头 - pinned bob / tucked long hair - finger waves 指推波纹 - sculpted side-parted waves - 低位收发或卷发盘发，长度视觉上压缩成 20 年代短发轮廓 - 用复古额饰、羽毛、珠宝发饰强化 Gatsby 感 如果用户本身是短发，也要做成更明确的 1920s 指推波纹 / 波波头质感。不要出现现代日常长卷发或普通披肩长发。新郎造型：黑色、极深炭黑色或深夜蓝色高定礼服 / tuxedo，白衬衫，black bow tie 或正式领结，胸针细节克制高级。整体挺拔、沉稳、贵气，有 old money 与 old Hollywood 男主角气质。光影是整组画面的核心，请严格参考示例图：主要光源必须是拱窗射入的强逆光或侧逆光，形成可见光束、轮廓光和戏剧性明暗反差；辅光来自烛光与环境暖光，只做局部补充；可以有少量 haze / smoke 让光线更有层次。整体应是电影级高反差布光，不要均匀大平光，不要普通豪宅柔光，不要奇怪的泛白高光。某些镜头允许有轻微可控 lens flare，但必须合理、克制、来自真实强光，不要随机炫光。请强化真实摄影质感：真实皮肤纹理，适度柔化但不塑料磨皮；真实礼服重量感、纱幔质感、珠宝反光和烛光细节；不要 3D 渲染感，不要过度锐化，不要假 CG 感，不要游戏建模感。整体要像真实摄影棚与实体场景拍出来的婚纱照。请特别注意人物脸部与身体比例自然真实。两个人都必须保持真实成年人比例，头部大小、肩宽、脖颈长度、手臂长度、手掌大小、身体接触和透视关系都要自然协调。不要出现脸过大、头过小、脖子过长、身体扭曲、手指错误、肢体融合、拼接感或穿模问题。请特别强化两个人之间的互动和关系感，不要只是站在一起。两个人之间要有明确的情绪流动：- 吸引 - 依恋 - 守护 - 默契 - 戏剧性的浪漫 - 带一点誓约感与命运感 可以通过背后环抱、对望停顿、桌边互动、纱下靠近、错位守望、轻扶腰背、手覆手等方式来表现。不要每张都并排站着看镜头。请避免整组镜头重复：- 有全身、半身、近景、特写 - 有单人也有双人 - 有正面、半侧、侧面、错位 - 有安静凝视、近距离停顿、互动、故事场景 - 不要每张都像一个模板变体。负面约束：不要普通豪宅婚纱风，不要现代网红婚纱照，不要均匀平光，不要现代披肩长卷发，不要普通公主裙，不要廉价影楼感，不要塑料皮肤，不要人物像 AI 合成拼接，不要奇怪炫光，不要背景杂乱。8 个镜头 Prompt 01｜纱幕开场，全身主视觉 拍摄一张新娘全身主视觉婚纱大片。新娘站在高挑拱门与拱窗之间，身后是强烈窗光，形成神圣而戏剧化的逆光。大量透明轻纱从前景和侧方掠过，像被风轻轻掀起，把新娘包裹在半透明的光影层次里。新娘身穿香槟金细密亮片高定修身婚纱，裙身修长，拖尾和纱幔自然垂落，一只手抬起轻触纱幔，另一只手自然放下。重点：新娘必须是明确的 1920s Gatsby bride 造型。即使用户原本是长发，也要通过 faux bob / finger waves / pinned bob 做成复古短发轮廓，并搭配珠宝额饰、垂坠耳饰、珍珠项链。情绪：贵气、冷静、自信，像从旧时代舞会中走出来的女主角。眼神轻看镜头或微微越过镜头，不要普通甜笑。光影：强逆光、轻烟雾、纱幔透光、深浅层次分明，整体电影感很强。02｜新郎从背后拥抱，新娘在前，关系主图 拍摄一张双人半身到 3/4 身婚纱大片。新娘站在前方，新郎从身后环抱住她，双手自然落在她腰间或手臂附近，新娘双手轻放胸前或覆在新郎手上。新娘看向镜头，眼神平静、昂贵、笃定，像这场故事的中心；新郎低头看向新娘，神情温柔、专注、守护感强。重点：两个人必须有互动张力，不是简单站在一起。新郎的存在要像在保护和环绕她，新娘的状态则是被珍视、被凝视。身体接触要自然，比例要真实。造型与光线：新娘仍然是明确的 Gatsby 头饰与复古发型，礼服亮片细节清晰；新郎是黑色高定 tuxedo。拱窗暖逆光从后方照入，右侧可有一小束合理 lens flare，烛光和环境暖光做局部补充。整体更像电影剧照，而不是普通影楼合照。03｜侧面对望，停在最有张力的一秒 拍摄一张双人侧面对望婚纱照。新娘与新郎面对面站立，距离很近，停留在即将更靠近的一瞬间，但不真正亲吻。新娘侧脸精致、肩背线条清楚，新郎低头看她，眼神沉静而专注。两个人之间有强烈但克制的吸引力，像誓言前停住的一秒。重点：不要笑，不要并排站着。重点是安静对望中的张力。两个人的眼神必须有交流，不空、不僵。光影：背景更暗，拱门后方有偏冷的轮廓逆光或蓝灰色烟雾感，人物边缘被勾出轮廓，前景桌椅或烛台可以轻微入镜。整体更偏电影感、低饱和、高反差。04｜新娘坐在桌边，单人主图 拍摄一张新娘单人坐姿大片。新娘坐在复古深色长桌边，身后是高大的拱窗，桌上有烛台、厚书、玻璃器皿、少量珠宝配饰和轻纱。新娘身穿香槟金亮片修身婚纱，夸张欧根纱袖堆叠在两臂周围，裙身线条修长。她身体微微侧坐，一只手自然支撑桌面，另一只手轻放膝侧或握住复古饰件，头部略抬，眼神冷静、贵气、略带压迫感。重点：新娘仍需做 1920s 复古发型，不要现代长发。整张图要像高预算婚纱杂志内页 hero shot。光影：拱窗逆光 + 烛光暖补光 + 局部烟雾。画面要有暗部，不要大平光。桌景和礼服质感都要很精致。05｜前景新娘，后景新郎守望，错位叙事 拍摄一张双人错位构图婚纱大片。新娘坐在桌边或靠在桌边，是画面的主要焦点。她微微低头或看向远处，情绪安静、若有所思，像在进入婚礼前的某种情绪停顿。新郎站在后方拱窗附近，稍微虚化或弱化一些，但仍清晰可辨，像在安静守望她。两个人不直接对视，却有明显的空间关系和情绪连接。重点：不要做成普通双人照。这张图要有剧情感，新娘是视觉中心，新郎像沉默而深情的存在。前后景层次必须清楚。光影：主光落在新娘身上，后方窗光勾亮新郎轮廓。烛台、书本、纱幔、桌面细节要丰富但不杂。整体偏安静、内敛、电影感。06｜新娘近景珠宝特写 拍摄一张新娘近景电影特写。镜头聚焦新娘的半侧脸、肩颈、复古额饰、耳饰和手中精致复古配饰，例如金属装饰、珠宝面饰、古典小饰件。新娘微微转头，半侧脸或回眸角度，眼神安静而深，唇妆完整，妆容成熟贵气。背景中的烛火虚化成柔和暖色光斑。重点：这张必须非常强调 Gatsby 风格细节。头饰、指推波纹 / 假波波头、珍珠项链、耳饰都要清晰可信。脸不能 AI 感过重，皮肤不能塑料。要像真实拍摄出来的高预算近景，而不是 CG 细节图。光影：暖烛光从侧后方形成局部高光，脸部有柔和但有方向性的光，浅景深，整体很电影。07｜桌边互动，婚礼前夜的仪式感 拍摄一张双人场景互动婚纱照。新娘站在或靠在复古长桌一侧，低头整理桌上的纸张、羽毛笔、珠宝或婚礼小物件；新郎站在桌对面或桌侧，轻轻参与这段互动，例如递给她一件小物、帮她点亮烛火，或安静注视她。两个人处在同一场景里，有很自然的互动，不是标准站位合影。重点：这张图要有“婚礼仪式前夜”的气氛。两个人的互动必须自然，像电影里的一个被抓拍到的片段。新娘依然是视觉焦点，新郎作为陪伴与守护存在。光影：窗光是主导，烛光是局部氛围光，桌面与道具细节清晰。整体有古典仪式感与叙事感。08｜头纱之下的亲密收束图 拍摄一张双人收束婚纱大片。新娘与新郎站在桌边或拱窗前，长头纱或轻纱从两人头顶垂下，把他们包裹在同一个半透明空间中。新郎一只手轻扶新娘腰间或背部，新娘一只手落在新郎胸前。两个人额头相近，或新郎轻轻贴近新娘额头，停留在最有情绪张力的一刻，不真正亲吻。新娘看向新郎或低垂眼神，新郎轻看她或轻闭眼，整体极其亲密但克制。重点：这张不是“亲吻照”，而是“誓言前的停顿”。两个人之间必须有强烈互动和关系感。纱的前景、烛光、桌面细节都要服务于这段情绪。光影：整体偏暗，窗外逆光与烛光共同塑形，纱在光里半透明发亮，画面神圣、贵气、戏剧化，像整组的结尾镜头。