Minimal In the Mood for Love Typography Poster

Create a minimalist vertical typography poster for the film {argument name="film title" default="In the Mood for Love"}. Canvas: portrait 3:4 aspect ratio, warm ivory paper background, lots of negative space, centered composition. Main typography: exactly 4 oversized Chinese characters arranged in a balanced 2 by 2 grid, spelling {argument name="Chinese title text" default="花样年华"}; use very thin, elegant, geometric black strokes with rounded ends, inspired by modern experimental Chinese type design, not calligraphy. Character count and placement: 1 top-left character, 1 top-right character, 1 bottom-left character, 1 bottom-right character, with generous spacing between the top and bottom rows. Secondary text: place the small uppercase English line {argument name="English subtitle" default="IN THE MOOD FOR LOVE"} horizontally centered between the two rows of Chinese characters, with wide letter spacing, simple sans-serif, dark gray-black. Decorative element: add exactly 3 flowing ribbon-like wave strokes made from many parallel hairline curves in a red-to-gold gradient; one curls down along the left side of the top-left character, one sweeps horizontally through the top-right character, and one large S-shaped ribbon flows from the middle down through the lower characters, looping near the bottom. Visual style: refined East Asian modernist poster, delicate linework, restrained palette of black, cream, coral red, and pale gold, crisp vector-like edges, high-end art-house cinema mood. Constraints: no people, no scenery, no extra icons, no border, no watermark, no additional text beyond the 4 Chinese characters and the centered English subtitle.