Minimalist Black and White Outbound Illustration

Please turn each photo I upload into an individual high-end design poster, with each photo output separately rather than spliced together. The overall format is a {argument name="composition ratio" default="3:4 vertical composition"}, with top and bottom sections strictly 1:1 in height, each occupying 50% of the image.

The top half preserves the original photo, maintaining the subject structure, real texture, natural lighting, and original color atmosphere, with only slight high-end photographic color grading for an art magazine or exhibition photography feel. The background can be naturally extended, but the subject must not be distorted.

The bottom half extracts the most recognizable subject and posture to reconstruct as a minimalist black-and-white hand-drawn editorial illustration. Use a horizontal or vertical solid black rectangle as the main visual field, with the subject mostly inside but having key features like the head, roofline, or limbs naturally breaking the boundary, forming a clear "crossing the line" relationship. The subject shouldn't look pasted on, but rather emerging from the black space.

The subject uses only essential outlines and key structures shown in {argument name="line style" default="black hand-drawn lines + white negative space + slight gray blocks"}. The lines resemble ink pens or photocopied sketches with slight variations in thickness and manual errors, avoiding smooth vector precision. Internal details are minimal.

The composition highlights the conflict between the geometric order of the black rectangle and the free contour of the subject. A large area of white paper surrounds the black zone, creating a strong yet restrained area relationship between black, white, and gray.

The text forms a lightweight black-and-white editorial micro-typography system, extracting a {argument name="title content" default="short English title"} from the photo's mood or action, paired with tiny annotations or numbers. Use black handwriting or thin sans-serif fonts kept at a small scale to look like artist notes rather than commercial titles.

The overall aesthetic is white paper × black geometric field × naive hand-drawn lines × subject crossing borders × minimal grayscale—humorous, restrained, clever, slightly quirky, and artistic. Avoid color cartoons, smooth vector edges, 3D textures, or standard centered templates.

请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用{argument name="构图比例" default="3:4竖版构图"}，上下两个区域高度严格1:1，各占画面50%。

上半部分保留原始照片，保持主体结构、真实质感、自然光影和原有色彩氛围，仅进行轻微高级摄影调色，使其具有艺术杂志、独立出版物与展览摄影质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。

下半部分提取照片中最具识别性的主体、轮廓、姿态与叙事关系，重构为极简黑白手绘编辑插画。以一个横向或纵向的纯黑矩形色域作为主要视觉场，让主体大部分存在于矩形内部，同时选择最具识别度的头部、顶部轮廓、枝叶、屋顶、肢体、器物边缘或其他关键结构自然突破矩形边界，形成明确的“越界”关系。主体不是贴在黑色矩形上，而像从黑色空间中探出、穿过或生长出来，使矩形既是背景，也是构图的一部分。

主体仅保留最必要的外轮廓、姿态和关键结构，以{argument name="线条风格" default="黑色手绘线 + 白色负形 + 少量灰色块面"}表现。线条像墨笔、针管笔或复印线稿，粗细略有变化，边缘带轻微抖动、断裂、重复描线和手工误差，不追求光滑矢量精度；内部细节极少，只用几笔表情、结构线、折线或局部阴影建立辨识度。无论人物、动物、植物、建筑、器物或风景，都优先找到一个最有性格的局部作为越界焦点。

构图强调黑色矩形的几何秩序与主体自由轮廓之间的冲突。矩形承担稳定、沉重的视觉基座，主体以不对称位置、局部裁切和越界制造活力；大面积白色纸面留白包围黑色区域，使黑、白、灰形成强烈而克制的面积关系。辅助结构可以转化为极少量直线、斜面、平台、边缘或几何切片，但不得形成第二主体。

文字建立轻巧的黑白编辑式微排版系统，从照片的动作、情绪、状态或隐喻中提炼一个{argument name="标题内容" default="简短英文标题"}，并搭配1–3组极小注释、编号、状态词或短句。文字可贴近黑色矩形边缘、藏在负形中、顺着越界方向排列，或与主体轮廓形成对齐和错位；使用黑色手写字、细瘦无衬线或克制衬线字体，保持小尺度，让文字像插画师留下的签注和编辑标记，而不是商业标题。

整体呈现纯白纸面 × 黑色几何色域 × 稚拙手绘线条 × 主体越界 × 极少灰阶的视觉气质，幽默、克制、聪明、略带古怪和艺术出版感。避免彩色卡通、复杂场景、光滑矢量描边、写实明暗、3D质感、纯黑剪影、规整图标化和模板式居中构图。