Modern Oriental Minimalist Poster

Generate a visual poster with Oriental aesthetics centered on {argument name="theme" default="specific thematic content"}. The core image uses a large area of clean negative space as the main stage. The subject is refined into a slender, restrained, handcrafted line drawing form, placed to one side within the white space, with rhythmic line density that feels like both a natural form and an information symbol. The white space is surrounded by a continuous undulating bas-relief texture field, like layers of material surfaces, softly enclosing from edges to center. A small number of tiny figures in {argument name="figure poses" default="laboring, walking, or operating poses"} are added as scale and narrative points, creating tension between macro textures and micro actions. Strong headlines and secondary information layers are set at the top. Colors are extracted from the theme itself, mapped to large high-brightness clean base colors and low-saturation structural textures. The texture has a {argument name="texture type" default="paper embossing and fine line scoring"} feel.

围绕{argument name="主题" default="具体主题内容"}生成一张东方审美的视觉海报，核心画面以大面积干净留白作为主舞台，主题对象被提炼成纤细、克制、带手工感的线描主形，放置在留白区域内偏一侧，线条疏密有节奏，既像自然形态也像信息符号。留白外部由连续起伏的浅浮雕纹理场包围，纹理像层层涌动的材料表面，从边缘向中心形成柔和围合，局部遮挡和托举主题空间，让空白显得被打开而不是空洞。画面中加入少量极小的{argument name="人物姿态" default="劳动、行走或操作姿态"}人物作为尺度点和叙事点，深浅对比明确，散落在纹理起伏之间，使宏观纹理与微观行动产生安静张力。上方设置强势标题与次级信息层，标题字重厚实、横向展开，副标题和说明文字用细小字距形成秩序感。色彩从主题自身提取，映射为大面积高明度洁净底色、低饱和结构纹理、清晰但少量的信息色，纹理有{argument name="纹理质感" default="纸面压纹与细线刻痕"}质感。