Paper Cut Collage Poster Design

Please make each photo I upload into an independent high-end design poster, no multi-photo splicing, each photo output separately. The overall use of a {argument name="aspect ratio" default="3:4"} vertical composition, the height of the top and bottom two areas is strictly 1:1, each occupying 50% of the screen.

The upper part retains the original photo, maintaining the main body's identity, structure, posture, real texture, natural light and shadow and original color atmosphere, and only performs slight advanced color grading to give it the texture of art magazines, independent publications and exhibition images. To adapt to the frame, the environmental background can be naturally expanded, but the main body must not be stretched, distorted or changed.

The lower part extracts the most recognizable **subject, contour, posture and narrative relationship** from the photo, and reconstructs it into a **flat illustration in the style of new folk art paper-cut collage**. Do not copy the photo completely, but delete irrelevant details, and only keep the structures, trends and visual memory points that best represent the original object, and re-summarize them through silhouettes, color blocks, engraved lines, positive and negative shapes and a small amount of cascading, so that people can recognize its corresponding relationship with the photo above at a glance. Subjects, plants, buildings, animals, utensils or environmental elements should be recombined like independent pieces of colored paper, and the modeling can be moderately naive, symbolic, and geometric, not pursuing realistic perspective and complex details, but emphasizing the sense of culture, handmade and contemporary design.

The composition maintains the relationship between a **small-scale subject / seal-like main vision + large areas of white space**, and positions are freely arranged according to the subject's own direction, proportion and visual center of gravity. It can be eccentric, edged or partially cropped, but always maintain clear primary and secondary, sparse and dense rhythms and editorial balance. The subject can be concentrated on one side or below to form a visual landing point, with only a very small amount of auxiliary elements around it, and not forming multiple equivalent focuses.

The material presents a **paper-cut collage + printmaking printing feel**: the edges of the color blocks can be slightly hand-cut, slightly misaligned in overprinting, ink-dropping and gentle particles, retaining the texture of paper fibers and art paper bottoms, avoiding smooth vectors, 3D rendering, photo filters and excessive refinement. The background is mainly cream white, warm white or light paper color, retaining a quiet and sufficient white space.

The color scheme extracts **2-4 most recognizable** colors from the photo above and transforms them into a **bright but restrained, clear but not dazzling** flat color block system; it can be moderately purified, brightened and organized to form a clear hierarchy of main colors, auxiliary colors and a few eye-catching colors, which not only retains the emotion and identity of the original image, but also has the contemporary high-end sense of folk art collage, avoiding gray, dirty, dull, cheap candy-like and messy color matching.

A small amount of text is involved, not limited to language. Short titles, small annotations, serial numbers, color value markings or explanatory snippets can be freely refined according to the subject, location, emotion, cultural imagery or symbolic meaning of the photo. The text should be small, light, and restrained, naturally falling in the white space area or corner of the layout, forming an exquisite graphic relationship with the graphics, and not doing commercial title stacking.

The overall presentation is a high-end visual effect composed of **new folk art, paper-cut collage, symbolic modeling, printmaking texture, large areas of white space and editorial layout**, referring to contemporary folk-art illustration with paper-cut collage aesthetics, symbolic geometric forms, screen-print texture and editorial layout. Avoid realistic illustration, complex perspective, overly dense details, cartoonishness, 3D feel, templated poster feel and cheap cultural and creative feel.

请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用{argument name="画幅" default="3:4"}竖版构图，上下两个区域高度严格1:1，各占画面50%。

上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。

下半部分提取照片中最具识别性的**主体、轮廓、姿态与叙事关系**，重构为**新民艺剪纸拼贴风的扁平化插画**。不要完整复制照片，而是删去无关细节，只保留最能代表原物的结构、走势与视觉记忆点，通过剪影、色块、刻线、正负形和少量层叠重新概括，使人能够一眼识别它与上方照片之间的对应关系。主体、植物、建筑、动物、器物或环境元素都应像一块块独立彩纸被重新组合，造型可适度稚拙、符号化、几何化，不追求写实透视和复杂细节，而强调文化感、手工感与当代设计感。

构图保持**小尺度主体 / 章印感主视觉 + 大面积留白**的关系，根据主体自身的方向、比例 and 视觉重心自由安排位置，可偏心、贴边或局部裁切，但始终保持清晰主次、疏密节奏和编辑式平衡。主体可集中于一侧或下方形成视觉落点，周围只保留极少量辅助元素，不形成多个同等焦点。

材质呈现**剪纸拼贴 + 版画印刷感**：色块边缘可略带手工剪切感、轻微套印偏差、掉墨感和温和颗粒，保留纸张纤维与艺术纸底的质感，避免光滑矢量、3D渲染、照片滤镜和过度精修。背景以米白、暖白或浅纸色为主，保留安静、充足的留白空间。

配色从上方照片中提取 **2–4 种最具辨识度** 的颜色，转化为**鲜明但克制、明快但不刺眼**的扁平色块系统；可适度提纯、提亮与整理，形成主色、辅助色和少量点睛色的清晰层级，既保留原图的情绪与身份，又具有民艺拼贴的当代高级感，避免灰脏、沉闷、廉价糖果感和杂乱配色。

文字少量介入，不限制语种。可根据照片的主体、地点、情绪、文化意象或象征意义，自由提炼简短标题、小字注释、编号、色值标注或说明片段。文字应小、轻、克制，自然落在留白区域或版面边角，与图形共同形成精致的图文关系，不做商业标题堆砌。

整体呈现**新民艺、剪纸拼贴、符号化造型、版画肌理、大面积留白与编辑式排版**共同构成的高级视觉效果，参考 contemporary folk-art illustration with paper-cut collage aesthetics, symbolic geometric forms, screen-print texture and editorial layout。避免写实插画、复杂透视、过密细节、卡通感、3D感、模板化海报感和廉价文创感。