Travel Rubber Stamp Poster

Please turn each photo I upload into an independent "Rubber Stamp Travel Field Notes Poster," outputting each photo separately without multi-image collage. The overall layout uses a 4:3 horizontal composition, dividing the screen into left and right areas, but without drawing obvious dividing lines. The left side occupies about 58% of the frame, faithfully preserving the original photo. Accurately maintain the identity of the subject, terrain, buildings, plants, people, spatial relationships, natural lighting, real textures, and original color atmosphere, applying only restrained art-publication-level photographic color grading and adding extremely slight fine film grain. Natural cropping is allowed to fit the layout, but do not stretch, distort, move, replace, or redraw the subject. The right side occupies about 42%, using warm off-white old paper as a background. The paper has subtle fibers, natural grains, slight signs of use, and a matte feel, while retaining large areas of unprinted paper white space, making the void an important part of the layout. Analyze the original photo to extract the most recognizable subject outlines, architectural structures, terrain trends, plant postures, roads, shorelines, or other key visual relationships, compressing them into a small multi-color rubber stamp image. Do not copy everything from the photo item by item. Retain only the minimum information necessary for someone to recognize the original location, subject, and scene relationships at a glance. Delete crowds, vehicles, dense windows, repetitive buildings, fine vegetation, decorative components, and irrelevant backgrounds. The stamp is located in the lower-middle part of the right paper area, occupying only about 30%-38% of the height of the right area, with sufficient white space reserved around it. The stamp cannot be enlarged into a common illustration, full landscape painting, or brand logo. Decide the organization of the stamp based on the original image's composition: - Iconic buildings: Keep the most recognizable outer outlines, roofs, domes, arches, towers, or main structures. - Mountain settlements: Compress buildings into a few stepped color blocks arranged along the terrain. - Coastal scenery: Keep the mountain trends, settlement levels, shorelines, and a few intermittent water ripples. - Urban vistas: Keep the main skyline, one landmark building, and one or two layers of distant mountains. - Natural landscapes: Keep the main mountain bodies, trees, shores, or road directional relationships. - Foreground obstructions: If important to the original narrative, keep them as foreground stamp outlines. Extract 2-4 spot ink colors from the original photo. Prioritize desaturated colors like carbon black, dark green, brick red, ochre yellow, grey-blue, and grey-brown, but do not force a fixed palette. Retain the most recognizable color character of the original photo, allowing only a small area of color for visual emphasis. Each color should appear as if individually hand-stamped: authentic rubber stamp carving textures, hand-cut marks, uneven hatching, outline gaps, broken edges, dry ink shortage, paper transparency, grainy ink, uneven pressure, partial ghosting, and a slight color registration offset of about 1-2 mm. Natural misalignment between different color layers is allowed; edges should not be digitally smooth. The imprint should look like a rubber stamp truly carved and pressed onto old paper, not a filtered photo, smooth vector illustration, or line-art logo. Generate text based on the location, theme, and visual imagery in the photo: Location name in English, No. serial number, three short English keywords, AD year. Place the text below the stamp or in the adjacent white space, using small, restrained, slightly...

请将我上传的每一张照片分别制作成一张独立的「橡皮章旅行田野笔记海报」，每张照片单独输出，不要多图拼贴。整体采用4:3横版构图，将画面划分为左右两个区域，但不要绘制明显的分隔线。左侧约占画面58%，忠实保留原始照片。准确保持主体身份、地形、建筑、植物、人物、空间关系、自然光影、真实质感和原有色彩氛围，仅进行克制的艺术出版物级摄影调色，并加入极轻微的细腻胶片颗粒。为适配版式可以自然裁切，但不得拉伸、扭曲、移动、替换或重新绘制主体。右侧约占画面42%，使用温暖的米白色旧纸作为背景。纸张具有细微纤维、天然颗粒、轻微使用痕迹和哑光触感，同时保留大面积未经印刷的纸张留白，让空白成为版式的重要组成部分。分析原始照片，从中提取最具地点辨识度的主体轮廓、建筑结构、地形走势、植物姿态、道路、水岸线或其他关键视觉关系，将其压缩成一枚小型多色橡皮章图像。不要逐项复制照片中的全部内容。只保留能够让人一眼认出原始地点、主体和场景关系所必需的最少信息。删除人群、车辆、密集窗户、重复建筑、细碎植被、装饰构件和无关背景。章印位于右侧纸张区域的中下部，整体只占右侧区域高度的约30%—38%，周围必须保留充足留白。章印不能放大成普通插画、完整风景画或品牌Logo。根据原图构图决定章印的组织方式：- 标志性建筑：保留最有辨识度的外轮廓、屋顶、穹顶、拱门、塔楼或主要结构。- 山地聚落：将建筑压缩成沿地形排列的少量阶梯状色块。- 海岸风景：保留山体走势、聚落层级、岸线 and 少量断续水纹。- 城市远景：保留主要天际线、一个标志性建筑及一两层远山。- 自然景观：保留主要山体、树木、水岸或道路的方向关系。- 近景遮挡物：如果其对原图叙事重要，可作为前景章印轮廓保留。从原始照片中提取2—4种专色油墨。优先使用炭黑、深绿、砖红、赭黄、灰蓝、灰褐等经过降低饱和度的颜色，但不得强行套用固定色盘。保留原照片最有辨识度的色彩性格，仅允许一个小面积颜色作为视觉强调。每一种颜色都要呈现为分别手工盖印的效果：真实橡皮章雕刻纹理、手工刻痕、粗细不均的排线、轮廓缺口、断裂边缘、干燥缺墨、纸张透底、颗粒状油墨、压力不均、局部重影，以及约1—2毫米的轻微套色偏移。不同色层之间允许出现自然错位，边缘不能数字化平滑。印迹应像真正刻制后压在旧纸上的橡皮章，而不是套用滤镜的照片、平滑矢量插画或线稿Logo。根据照片中的地点、主题和视觉意象生成文字：地点英文名称 No. 编号 三个简短英文关键词 西元年份 文字放在章印下方或邻近留白处，使用小型、克制、略带…