Suzhou Garden Papercut Art

9:16 vertical, {argument name="style" default="modern Oriental female dreamscape 3D papercut art"}, modern oriental papercut art, layered paper cut illustration, dimensional paper sculpture, intricate paper carving, paper diorama, layered shadow box, poetic female dreamscape, contemporary oriental art poster.

The theme of the work is "She hears the old garden wake up in the depths of the moon gate."

An adult Oriental female with a visual age of about {argument name="age" default="24 years old"}, gentle, awake, quiet and healing, with a touch of the subtlety of just waking up from an old dream, standing alone in a layered {argument name="subject" default="Suzhou garden"} paper sculpture space. Soft oval face, clear almond eyes, expression calm and thoughtful. Long black hair is half-draped and half-wrapped, the hair ends naturally connected with flower branch paper tapes, wearing light gold small flowers and leaf hair accessories. She is wearing a moon-white and light bean-green multi-layered paper art long skirt, the hem with flower windows, pool water ripples and leaf hollow structures, and the silk shawl hangs lightly with fine hollow edges.

The entire scene must first make one see at a glance that it is a high-grade 3D paper sculpture art installation, and only then see it is a Suzhou garden. All elements must be composed of clearly identifiable paper pieces, absolutely no real stone, wood, tile, water body or plant textures.

The picture uses a round window dream-peeping composition. The foreground only keeps a part of the huge moon gate edge as a soft frame, not letting the moon gate fill the picture; at the same time, partial leaky windows, flower branches and bamboo leaves are added as a light frame. The mid-ground is a section of water-side corridor, paper sculpture pool water and very small figures. The far view continues to see white walls and black tiles, Taihu stones, small bridges, clear pools and garden trees through the second moon gate, forming a deep spatial relationship of "gate within gate, water outside corridor, and garden after water."

The character is located in a small position in the lower middle, standing on the edge of the water-side stone steps or corridor, with her back or two-thirds side-back to the lens, her body slightly facing the second moon gate in the distance. The character only serves as an emotional anchor in the depths of the garden, not too large, not becoming the main portrait subject.

Core elements of the garden include: layered moon gates, winding corridors, paper sculpture pool water, lotus leaves, lotus flowers, Taihu stones, flower windows, white walls and black tiles, small bridges and garden trees. All these elements must be clearly paper-sculpted:

White walls are formed by multi-layered warm white thick paper, with the paper thickness and cutting cross-section clearly visible at the edges.
Black tiles are arranged piece by piece from independent deep blue-grey paper sheets, not like real tiles.
Taihu stones are made by stacking multi-layered hollow paperboards, with distinct paper layers and hole edges.
Pool water is composed of layered wave paper sheets in lake blue, light blue, and moon white, with clear interlayer shadows and cutting arcs.
Bamboo leaves, lotus leaves, flowers, and branches are all cut from independent paper sheets, with slightly curled edges, paper fibers and manual cutting marks visible.
Corridors, railings, bridge bodies and flower windows all have fine paper sculpture hollow patterns, no real wood or stone textures.

The overall color scheme is: powder wall warm white, transparent lake blue, fresh bamboo green, and dark blue-grey as the main colors, with a small amount of apricot pink and light gold accents. The picture must be bright, clear, refined, and fresh, with the exquisite and feminine aesthetic temperament of Suzhou gardens. Different color areas are clearly separated, no grey-green unified filters, no rice yellow, no grey, no depression. Lake water should be clear and slightly blue-green, bamboo leaves and garden trees should be fresh green, white walls remain bright warm white, flowers use a small amount of apricot pink and lotus pink for highlighting, and light gold is only used for paper sculpture edges and a few highlights.

Lighting uses bright morning side light, shining in from the upper right or diagonally above. Powder walls and lake surfaces form natural reflective fill light, bamboo leaves, lotus flowers, hollow flower windows and silk shawl edges are slightly translucent. There should be clear but soft interlayer shadows between the paper layers, allowing the viewer to clearly see the stacking relationship of foreground paper layers, mid-ground paper layers, and far-view paper layers. The overall light sensation must be clear, moist, and clean, not dull, and no old paper yellowing.

Strengthen paper art details: clear paper fibers, paper thickness, manual cutting edges, slight creases, edge curling feel, fine hollow patterns, layered shadows and partial light transmission effects. The entire picture should look like a museum-level high-completion paper sculpture exhibition work, rather than ordinary garden illustrations, architectural models or CG miniature landscapes.

The overall mood is: old garden waking up, morning light entering the door, wind over pool water, inner peace returning. The scene should reflect the exquisite, clear, elegant and subtle nature of Suzhou gardens, not grand oppression, but depth in silence, moisture in depth, and poetry in moisture.

Supplementary requirements: Strengthen the sense of layers of "gate within gate" and the quiet temperament in the depths of the old garden; retain this clear, bright, and fresh color scheme; further strengthen the paper art style, so that all garden elements clearly show the paper sculpture structure and paper material; do not make it like an ordinary garden illustration, nor an architectural model.

9:16竖版，{argument name="风格" default="现代东方女性梦境立体剪纸艺术"}，modern oriental papercut art，layered paper cut illustration，dimensional paper sculpture，intricate paper carving，paper diorama，layered shadow box，poetic female dreamscape，contemporary oriental art poster。

作品主题为“她在月门深处听见旧园苏醒”。

一位视觉年龄约{argument name="年龄" default="24岁"}的东方成年女性，温柔清醒、安静治愈，带一点旧梦初醒的含蓄感，独自站在层层递进的{argument name="主题" default="苏州园林"}纸雕空间之中。人物柔和鹅蛋脸，清亮杏眼，神情平静而若有所思。黑色长发半披半挽，发尾与花枝纸带自然连接，佩戴浅金小花与叶片发饰。她身穿月白与浅豆青色多层纸艺长裙，裙摆带花窗、池水波纹与枝叶镂空结构，披帛轻薄垂落并带精细镂空边缘。

整个场景必须首先让人一眼看出是高级立体纸雕艺术装置，其次才看出是苏州园林。所有元素都必须由清晰可辨的纸片构成，绝不出现真实石材、木材、瓦片、水体或植物质感。

画面采用圆窗窥梦式构图。前景只保留一部分巨大月门边缘作为柔和框景，不让月门占满画面；同时加入局部漏窗、花枝和竹叶作为轻框景。中景是一段临水回廊、纸雕池水与极小人物，远景透过第二重月门继续看见白墙黛瓦、太湖石、小桥、清池与庭树，形成“门中见门、廊外有水、水后还有园”的深层空间关系。

人物位于中下部偏小位置，站在临水石阶或回廊边缘，背对或三分之二侧背对镜头，身体微微朝向远处第二重月门。人物只作为园林深处的情绪锚点，不能过大，不能变成肖像主体。

园林核心元素包括：层层月门、曲折回廊、纸雕池水、荷叶、荷花、太湖石、花窗、白墙黛瓦、小桥与庭树。所有这些元素都必须明显纸雕化：

白墙由多层暖白厚纸叠合而成，边缘清楚可见纸张厚度与裁切断面
黛瓦由独立深青灰纸片逐片排列，不像真实瓦片
太湖石由多层镂空纸板套叠而成，具有明显纸张层次和孔洞边缘
池水由湖青、浅青、月白多层波纹纸片平铺构成，带清晰层间阴影与裁切弧线
竹叶、荷叶、花朵、枝条都由独立纸片裁切而成，边缘可见微翘曲、纸张纤维和手工裁切痕迹
回廊、栏杆、桥体和花窗都有精细纸雕镂空纹样，不出现真实木构或石构质感

整体色彩方案为：粉墙暖白、清透湖青、鲜嫩竹绿、黛青灰为主，少量杏粉与浅金点缀。画面必须明亮、清润、细雅、鲜活，具有苏州园林的精巧与女性审美气质。不同区域颜色明确分离，不使用灰绿色统一滤镜，不米黄、不灰蒙、不压抑。湖水应清透偏青蓝，竹叶与庭树应鲜嫩青绿，白墙保持明亮暖白，花朵用少量杏粉与荷花粉提亮，浅金只用于纸雕边缘和少量高光。

光线采用明亮清晨侧光，从右上方或斜上方照入。粉墙与湖面形成自然反射补光，竹叶、荷花、镂空花窗和披帛边缘轻微透光。纸层之间应有清晰但柔和的层间投影，让观者明显看出前景纸层、中景纸层、远景纸层的叠合关系。整体光感必须清透、润泽、洁净，不要沉闷，不要旧纸泛黄。

强化纸艺细节：清晰纸张纤维、纸片厚度、手工裁切边缘、轻微折痕、边缘翘起感、精细镂空花纹、层叠投影和局部透光效果。整幅画面应像博物馆级高完成度纸雕展览作品，而不是普通园林插画、建筑模型或CG微缩景观。

整体情绪为：旧园苏醒、晨光入门、风过池水、内心重新安静下来。场景要体现苏州园林的精巧、清润、雅致与含蓄，不是恢弘压迫，而是静中有深、深中有润、润中有诗意。

补充要求：强化“门中见门”的层次感与旧园深处的静谧气质；保留这版清透、明亮、鲜润的配色；进一步加强纸艺风格，让所有园林元素都明确可见纸雕结构和纸张材质；不要做成普通园林插画，也不要做成真实建筑模型。