Traditional Chinese Gongbi Court Lady

Create a vertical traditional Chinese Gongbi-style heavy-color court lady painting with a 4:5 aspect ratio. The main subject is a young {argument name="ethnicity" default="Han"} court lady, fully depicted, standing two-thirds profile next to a winding corridor in a quiet classical garden. She has a dignified and slender posture, head slightly bowed, her right hand gently holding a {argument name="flower" default="crabapple bud"}, and her left hand subtly tucked into a long sleeve, with a quiet, gentle, and restrained expression. Fine eyebrows, a small straight nose, and vermilion cherry lips; her skin is represented in the traditional white and rosy manner of court lady paintings. Her black hair is swept into an elegant ancient Chinese bun, adorned with gilded hairpins, pearl tassels, and jade hairpins; each piece of jewelry is clearly structured and precisely patterned, beautiful but not cluttered. The lady wears layered Hanfu: a {argument name="top garment color" default="stone-blue"} cross-collar jacket, an {argument name="skirt color" default="ochre-red"} high-waisted long skirt, and an ivory-white sash. The collar edges, cuffs, and skirt panels are densely covered with lotus vines, birds, flowers, and ruyi cloud patterns, outlined with fine gold thread. The silk folds are fluid, the brocade patterns complex and clear, and the belts and sashes form a gentle S-shaped rhythm. The background includes Taihu stones, green banana leaves, blooming peonies, falling petals, vermilion lacquered railings, and a hazy moon gate in the distance, using garden scenery to support the character without overshadowing her. Using orthodox Chinese Gongbi heavy-color techniques: precisely outlining the face, hair, fingers, clothing folds, flowers, leaves, and jewelry with thin, uniform, and elastic iron-wire and gossamer lines; multi-layer dyeing, glazing, flat coating, and re-outlining create thick yet clear color layers. Based on stone blue, stone green, cinnabar, ochre, rouge, clam powder, and gold mud, with small amounts of gold-pasted details; the blue-green, vermilion, ivory white, and soft gold are balanced, creating a dignified, calm, and elegant color palette that is saturated but not harsh. The background silk color is warm and slightly aged, preserving the delicate silk texture and hand-painted marks. Soft, uniform diffused light with weak light and shadow modeling maintains the flat, decorative, and subtle spatial sense of traditional painting. The composition is like a complete ancient vertical scroll painting, with the character occupying about two-thirds of the screen height, a clear visual center, and restrained white space. Features, hands, and fingers must be natural and complete, clothing layers clear, and line work precise and stable, with tiny patterns still recognizable. The overall effect must present genuine hand-painted Gongbi quality and classical silk texture; no photorealism, modern clothing, anime faces, oil painting impasto, watercolor smudging, 3D or plastic textures, strong cinematic lighting, exaggerated depth of field, or text and watermarks.

创作一幅竖幅中国传统工笔重彩仕女画，画面比例 4:5。
主体是一位年轻的{argument name="族裔" default="汉族"}仕女，全身入画，三分之二侧身立于幽静的古典园林曲廊旁；身姿端庄修长，微微垂首，右手轻拈一枝{argument name="花卉" default="含苞海棠"}，左手含蓄地收于长袖之间，神情娴静、温柔而克制。淡远蛾眉、小巧直鼻和朱红樱唇，肤色以传统仕女画的白皙粉润方式表现。乌黑长发挽成高雅的古代中式发髻，插鎏金花簪、珍珠步摇与翠玉钗；每件首饰结构清楚、纹样精密，华美但不杂乱。
仕女身着层叠汉服：{argument name="衣服颜色" default="石青色"}交领上襦、{argument name="下裙颜色" default="赭红"}高腰长裙、象牙白披帛；领缘、袖口与裙幅密布缠枝莲、折枝花鸟、如意云纹，使用细金线勾边。丝绸褶皱流畅，织锦纹样繁复而清晰，衣带与披帛形成舒缓的 S 形节奏。背景包含太湖石、碧绿芭蕉、盛放牡丹、零落花瓣、朱漆栏杆和远处朦胧的月洞门，以疏密有致的园林景物衬托人物，不喧宾夺主。
采用正统中国工笔重彩技法：以细劲、均匀、富有弹性的铁线描与游丝描精确勾勒面部、发丝、手指、衣纹、花叶和首饰；多层分染、罩染、平涂、复勾，色层厚实而清澈。以石青、石绿、朱砂、赭石、胭脂、蛤粉和泥金为主，少量局部沥粉贴金；青绿、朱红、象牙白与柔金相互平衡，色彩典雅、沉静、华贵，饱和而不刺眼。熟绢底色温润微旧，保留细腻绢本纹理与手工绘制痕迹。柔和均匀的散射光，弱明暗塑造，轮廓清晰，保持传统绘画的平面性、装饰性与含蓄空间感。
构图如完整的古代立轴仕女图，人物约占画面高度的三分之二，视觉中心明确，留白克制，人物、花木和建筑形成雅致呼应。要求五官、双手与手指自然完整，衣饰层次清楚，线描精确稳定，微小纹样仍可辨认。
整体必须呈现真正的手绘工笔重彩与古典绢本质感；不要摄影写实，不要现代时装，不要动漫脸，不要油画厚涂，不要水彩晕染，不要 3D 或塑料质感，不要强烈电影光，不要夸张景深，不要文字、题款、水印或可辨识印章。