Chang'e Flying to the Moon Cinematic Prompts (Three Versions)

Version 1: Scroll Unfolding

Seedance 2.0 Prompt
Traditional Chinese ink wash painting style, rice paper texture background, ink color gradient blending, 15 seconds of Chang'e flying to the moon. 0-4 seconds: Extreme long shot, a giant bright moon slowly rises from the far end of the ink wash scroll. Distant mountains dyed with pine ink are layered like dark eyebrows, clouds slowly flow between the mountains like ink spreading in water. Light ink 'flying white' outlines pavilions and towers, the guzheng harmonics gently begin; 5-9 seconds: Mid-shot slowly pushes in, Chang'e, wearing a plain white wide-sleeved long dress, floats out from the clouds. Her robes flutter like freehand ink splashes, long silk ribbons transform into flowing ink lines in the wind. The skirt hem blooms with ripples of varying ink shades. A small white rabbit rests in her arms. Chang'e's face is delicate like a fine-line court lady, the hairpins on her bun gently sway, scattered petals transform into light ink dots slowly drifting away; 10-15 seconds: Extreme long shot pull-out, Chang'e flies towards the bright moon with fluttering robes, trailing an elegant, ink-splash-like long streak behind her. The entire scene slowly closes like an ink wash scroll. Moonlight spills across the world like light ink spreading amidst the gathering and dispersing clouds, finally Chang'e becomes a slender silhouette in the moon, the lingering sound of the guzheng echoes. Sound effects: Guzheng solo as the main melody, accompanied by a distant bamboo flute, gentle wind sounds interspersed, the subtle rustle of silk fabric fluttering. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements.

Version 2: Fine-line Heavy Color

Seedance 2.0 Prompt
Fusion style of Chinese fine-line heavy color and freehand ink wash, silk painting texture, 15 seconds of Chang'e flying to the moon. 0-4 seconds: Close-up of Chang'e's face, fine-line drawn willow-leaf eyebrows and phoenix eyes, skin like congealed fat, a cinnabar flower mark on her forehead, hair strands clearly defined like fine threads. The camera slowly pulls back, Chang'e stands on a stone platform in the clouds, wearing a moon-white cross-collar ruqun covered with a light cyan gauze coat, a reddish-brown silk sash tied around her waist, the skirt embroidered with light gold osmanthus patterns, holding a jade rabbit, looking slightly up at the moon, low notes of the guzheng plucked; 5-10 seconds: Follow shot, Chang'e lightly lifts her skirt and leaps up, stepping on auspicious clouds and soaring straight up. Her wide sleeves flutter in the wind like the wings of two white cranes spreading. The gauze ribbons behind her transform into freehand ink splash strokes extending several feet. The clouds beneath her feet spread out in layers using the Chinese painting rendering technique, dark ink nearby, light ink far away. Osmanthus petals scatter like gold dust, the guzheng melody quickens, and the flute joins the ensemble; 11-15 seconds: Extreme long shot overhead composition, below is the ink wash ground with the aesthetic of negative space. Chang'e is in the center of the frame ascending towards the giant golden full moon, her robes and ribbons scatter to form a beautiful S-curve. The faint outline of the osmanthus tree palace is vaguely visible in the moon. The entire picture presents the Eastern aesthetic composition of 'round heaven and square earth,' and the light and shadow are soft like silk rendering. Sound effects: Guzheng and bamboo flute play the main melody together, crisp wind chimes embellish, the rustle of silk fabric in the wind, the final guzheng harmonic note fades distantly. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements.

Version 3: Freehand Ink Splash

Seedance 2.0 Prompt
Traditional Chinese freehand ink splash style, predominantly black and white ink with only the moon dotted in gold, minimalist negative space aesthetic, 15 seconds of Chang'e flying to the moon. 0-5 seconds: Pure white background like rice paper, a drop of thick ink falls from the top of the frame. The ink drop splashes upon contact, transforming into mountain shapes. The ink naturally spreads to form near and distant peaks, the camera slowly pushes in, the varying shades of ink automatically blend to create pine trees and clouds. A golden full moon gradually appears in the large area of negative space, the single string of the guzheng is plucked, echoing ethereal; 6-10 seconds: A streak of 'flying white' brushwork rapidly sweeps across the right side of the frame, transforming into the ascending figure of Chang'e. Freehand brushwork outlines the fluttering dress and ribbons with just a few strokes. Chang'e's figure is faintly visible like a phantom in the ink. Every flutter of her robes splashes new ink drops that become auspicious clouds and flying flowers beside her. The entire ascent process is like a calligraphy master wielding a brush, smooth and continuous. 11-15 seconds: Chang'e's ink figure merges into the golden full moon. The ink around the moon spreads into layers of halos. The picture gradually settles into a complete ink wash composition—a large area of negative space between heaven and earth, a golden moon, a slender silhouette within the moon, and vast ink splash mountains below, conveying profound artistic conception. The lingering sound of the guzheng echoes in the negative space. Sound effects: Guzheng solo is clear and ethereal, accompanied by a crisp water drop sound when ink hits the paper, the wind sound is extremely faint and only serves as atmosphere setting, the entire process is quiet and distant. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements, prohibited from containing color (only the moon is golden).

版本一：画卷徐展

Seedance 2.0 提示词
中国传统水墨画风格，宣纸质感底色，墨色浓淡晕染渐变，15秒嫦娥奔月。0-4秒：大远景，一轮巨大的明月从
水画卷的远端缓缓升起，松墨晕染的远山层叠如黛，云雾在山峦间如水墨洇开般缓缓流动，淡墨飞白勾勒出亭台
楼阁轮廓，古筝泛音轻起；5-9秒：中景缓缓上推，嫦娥身着素白广袖长裙从云雾中飘然而出，衣袂如写意泼墨
舒展飘动，长长的丝带随风化为流动的水墨线条，裙摆晕染开浓淡相间的墨色涟漪，一只小白兔伏在她怀中，嫦
娥面容清丽如工笔仕女，发髻上的步摇微微晃动，周围散落的花瓣化为淡墨点染缓缓飘散；10-15秒：大远景拉
，嫦娥衣袂飘飘向明月飞去，身后拖出一条如泼墨般的飘逸长痕，整个画面如同一幅水墨长卷缓缓收拢，云雾聚
散间月光如淡墨晕开般洒满天地，最终嫦娥化为月中一抹纤细剪影，古筝余音袅袅。音效：古筝独奏为主旋律，
配合竹笛远处应和，风声轻柔穿插，衣料飘动的丝绸细响。禁止：任何文字、字幕、LOGO或水印，禁止出现现代
元素。

版本二：工笔重彩

Seedance 2.0 提示词
中国工笔重彩与水墨写意融合风格，绢本设色质感，15秒嫦娥奔月。0-4秒：特写嫦娥面部，工笔细描的柳叶眉
丹凤眼，肤若凝脂，额间一点朱砂花钿，发丝如游丝描般根根分明，镜头缓缓拉开，嫦娥站在云端石台之上，身
披月白色交领襦裙外罩淡青纱衣，腰系赭石色丝绦，裙面绣有淡金色桂花纹样，手捧一只玉兔，微微仰头望月，
古筝低音拨弦；5-10秒：跟拍镜头，嫦娥轻提裙裾纵身而起，脚踏祥云扶摇直上，广袖在风中翻飞如两翼白鹤展
翅，身后的纱衣飘带化为写意泼墨笔触延伸数丈，脚下云雾以国画渲染技法层层铺开，浓墨近处淡墨远方，桂花
花瓣纷纷扬扬如金粉散落，古筝旋律渐快，笛声加入合奏；11-15秒：大远景俯拍构图，下方是留白意境的水墨
地，嫦娥在画面中央向巨大的金色圆月飞升，衣袂纱带飘散形成优美的S形曲线，月中隐约可见桂树宫殿的淡墨
廓，整个画面呈现天圆地方的东方美学构图，光影如绢面渲染般柔和。音效：古筝与竹笛合奏主旋律，清脆的风
铃声点缀，丝绸衣料在风中猎猎轻响，最后一声古筝泛音悠远收束。禁止：任何文字、字幕、LOGO或水印，禁止
出现现代元素。

版本三：泼墨大写意

Seedance 2.0 提示词Prompt
中国大写意泼墨风格，黑白水墨为主仅月亮点染金色，极简留白美学，15秒嫦娥奔月。0-5秒：纯白背景如宣纸
一滴浓墨从画面上方落入，墨滴触及画面溅开化为山峦形态，墨色自然洇散形成远近山峰，镜头缓推，浓淡墨色
自动晕染出松柏云雾，一轮金色圆月在大面积留白中渐渐显现，古筝单弦拨动回响空灵；6-10秒：画面右侧一道
飞白笔触急速划过，化为嫦娥飞升的身形，写意笔法寥寥数笔勾勒出飘飞的衣裙与飘带，嫦娥身形若隐若现如墨
中幻影，每一次衣袂翻飞都溅出新的墨滴化为身旁的祥云与飞花，整个飞升过程如同一位书法大师在挥毫泼墨，
行云流水一气呵成；11-15秒：嫦娥的墨色身影融入金色圆月之中，月亮周围墨色晕散为层层光晕，画面渐渐定
为一幅完整的水墨画构图——大面积留白天地间，一轮金月，月中一抹纤影，下方泼墨山水苍茫，意境深远，古筝
余音回荡在留白之中。音效：古筝独奏清冽空灵，墨滴落纸时配以清脆水滴声，风声极淡仅作气氛烘托，全程静
谧悠远。禁止：任何文字、字幕、LOGO或水印，禁止出现现代元素，禁止出现彩色（仅月亮为金色）。