K2

Cinematic K-drama style, 2.35:1 widescreen, 24fps, 15 seconds. Soft overcast natural\ndaylight, muted cool palette, silver glittering sea, gentle sea breeze, shallow depth\nof field on close-ups, smooth handheld energy on wides. Emotional arc: starts wistful\nand tender, builds into kinetic joy, ends on a breathless romantic peak.\n\nCharacter identity comes from the reference images. The male character’s face and hair\nfollow the male reference image. The female character’s face and hair follow the female\nreference image. Their wardrobe and footwear are fixed in every shot and described\nbelow — keep them fully consistent.\n\nWARDROBE LOCK:\n\n* Female: long oatmeal/light-grey chunky knit cardigan, mid-calf, open front,\n  two large patch pockets, slightly oversized; dark charcoal-grey sleeveless V-neck\n  knee-length dress with soft drape; thin cream long-sleeve top under the dress,\n  visible at arms and neckline; bare legs; white ankle socks; white flat canvas\n  slip-on shoes; long loose dark hair.\n* Male: matte black tailored two-piece suit; crisp white dress shirt with\n  the top two buttons undone, no tie; black leather oxfords; neat dark hair,\n  slightly tousled by breeze, clean face.\n\n0-3s: Wide two-shot on an empty sand beach, calm sea behind. The male character\nstands in foreground with his back to camera, suit jacket fluttering in the wind.\nThe female character stands a few meters ahead facing him, smiling softly, long hair\nlifted by the breeze. She raises a hand, points at him, then curls her finger in\na teasing \"come catch me\" beckon. In the deep background, a black dog trots across\nthe sand and one or two distant men in dark suits move along the shoreline. She\nsays lightly: \"You have to come and catch me, okay?\"\n\n4-7s: Cut to a tight close-up of the male character’s face, shallow depth, soft hazy\nocean bokeh behind him. He exhales through his nose, the corner of his mouth lifts\ninto a tired, tender half-smile, eyes lowering for a moment. He murmurs quietly:\n\"It's so childish.\" Then, softer: \"Told you I won't.\" Subtle wind in his hair. A\nwarm piano theme begins, building hope.\n\n8-11s: Cut to a side tracking shot, camera dollying parallel to the waterline. The\nfemale character breaks into a run along the wet sand, her oatmeal cardigan billowing\nbehind her, hair flying, laughing back at him. The male character chases a few paces\nbehind, jacket open and flapping, his expression breaking into a real smile as he\ngains on her. Sparkling silver water fills the right of frame. A flock of white\nseagulls bursts upward from the surf as they pass, wings flashing against the\novercast sky. Orchestral strings join the piano, lifting the energy.\n\n12-15s: He closes the last gap and catches her by the waist from behind. Their\nmomentum carries them into a spin — he lifts her slightly off the sand and turns\na full rotation, her oatmeal cardigan and dark hair flying outward in a wide arc,\nboth of them laughing openly, breathless. Camera arcs around them in a slow\ncounter-rotation, golden specular sparkle off the sea blooming behind their\nsilhouettes. On the final beat, he sets her down, she lands facing him, foreheads\nnearly touching, eyes locked, broad smiles softening. Slight slow-motion through\nthe spin, real-time on the landing. Hold the freeze on the closeness for half a\nbeat before cut to black.\n\nAudio design: ocean waves and wind throughout, distant gull cries, footsteps in\nsoft sand, breath on the close-up, warm solo piano entering around 4s, strings\njoining at 8s, full orchestral romance theme soaring and peaking at the spin\n(13-14s), resolving on a single sustained warm chord as they land face-to-face\nat 15s. A sharp shared intake of breath as he catches her, layered open laughter\nfrom both through the spin.\n\nForbidden: any text, subtitles, watermarks, or logos in frame. Do not change the\nwardrobe between shots.